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№ 793. Corazon Aquino
BY PICO IYER
Jan. 5, 1987
History, wrote Gibbon, is little more than a "register of crimes, sorrows and misfortunes." It is, equally often, a study in black ironies or the fatal mechanisms of tragedy. Sometimes history is even a cautionary tale, an Aesopian fable on the folly of blindness or greed or lust. But history is rarely a fairy tale, a narrative that instructs as well as inspires. Still less often is it a morality play, in which the forces of corruption and redemption, of extravagance and modesty collide in perfect symmetry.
Jan. 5, 1987
History, wrote Gibbon, is little more than a "register of crimes, sorrows and misfortunes." It is, equally often, a study in black ironies or the fatal mechanisms of tragedy. Sometimes history is even a cautionary tale, an Aesopian fable on the folly of blindness or greed or lust. But history is rarely a fairy tale, a narrative that instructs as well as inspires. Still less often is it a morality play, in which the forces of corruption and redemption, of extravagance and modesty collide in perfect symmetry.
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