№ 809. World History & Economics

 Here's a daily dose of history and economics. 

 This metaphorical shot in the head helps us make sense of the context of the US-Israel & Iran war. We don't really leave the past behind.

№ 808. The Sound of Music

 

 

№ 807. Rule of Law versus Rule of Men (Kings)

 

The Week

 

The British police on Thursday evening released Andrew Mountbatten-Windsor, formerly known as Prince Andrew, after taking him into custody for several hours, intensifying a long-running crisis for the monarchy over his ties to the convicted sex offender Jeffrey Epstein.

The detention and questioning of Mr. Mountbatten-Windsor, once seen as a dashing war hero and the favorite son of Queen Elizabeth II, was a staggering blow for the monarchy. It was the first time in modern history that a member of the British royal family had been arrested. The last time was in 1649, when Charles I was executed for treason during the English Civil War.

Reddit

№ 806. 2026 Happy Chinese Lunar New Year

The opening sequence in “ Eat Drink Man Woman,” in which a delectable Taiwanese banquet is prepared by a master chef, is guaranteed to make you contemplate the non-buttered popcorn in your lap and cry. Not quite as delicious -- but nonetheless enjoyable—is the repast that follows: Ang (“The Wedding Banquet”) Lee’s amiable family farce about generational tension and, of course, food.

№ 805. International Law

 

 

№ 804. Arthur Rubinstein

 

 

If there was an award for the pianist who came closest to the artistic ideal in the widest repertoire, it would almost certainly go to Rubinstein. Whether playing Fauré or Brahms, Albéniz or Beethoven, Ravel or Schubert, the results were sublime. Yet he is most celebrated for his Chopin. That composer's aristocratic poise and elegance found a perfect match in Rubinstein’s own interpretative genius. 

His golden tone, exquisite sense of timing and sensitivity to phrase and structure were tailor-made for Chopin's nocturnes, waltzes and mazurkas. Yet remarkably he sustained that same level of musical intuitiveness and profound eloquence throughout the more heated virtuosity of the concertos, scherzos, ballades, preludes, sonatas and polonaises. 

There was seemingly nothing that Rubinstein could not play at the highest levels of distinction. This ranged from concertos and solo recitals to forming two ‘million dollar’ piano trios, first with Jascha Heifetz and Emanuel Feuermann and then with Henryk Szeryng and Pierre Fournier, with whom he made outstanding recordings of Brahms, Schubert and Schumann.

Incredibly, as witness sublime video recordings of concertos by Grieg, Saint-Saëns, Chopin, Beethoven and Brahms, he was still playing like an angel in his eighties. Rubinstein was one of the most widely recorded of pianists. That said, his love affair with the gramophone got off to a shaky start. He refused to record for the early acoustic process as he felt it made the piano ‘sound like a banjo’.

№ 803. Villanelle

 

 

№ 802. The Big C

Screenrant