From Plato, through Dante, to James Joyce, the trope of the open sea has been used to evoke the transcendent goal of the searching heart. The art, the sacraments, the doctrine, and the saints of the church are meant to lure us to the edge of the ordinary and to allow us at least a glimpse of that open sea of God’s eternity. They are, accordingly, the enemies of Charles Taylor’s “buffered self,” the modern person so thoroughly shaped by secularist ideology that she no longer hears the rumors of angels.
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