It is not difficult to find parallels in history and myth for Robredo’s crusade. The foremost image that comes to mind is that of an armor-clad Joan of Arc, riding off to battle against those who had turned their backs on France to support the English. There is a long, long list of women who took up the sword to fight for freedom and justice. In 1521, after her husband fell in combat, Maria Pacheco took charge of the defense of the Spanish city of Toledo in a popular uprising against the monarchy; later that century, Guaitipan or La Gaitana led Colombia’s indigenous people against the invading Spanish; the 17th century is replete with accounts of women going into battle dressed as a man, so they could join the armies. And of course we cannot forget our own La Generala, Gabriela Silang, who fought the Spanish after her husband Diego was assassinated in 1763.
Film Affinity |
But many if not most of these stories end with defeat and death for the heroine, as it did for Joan of Arc and Gabriela Silang. They are immolated, hung, imprisoned, abused, punished in the most horrific ways for the temerity to rise above their lot as mothers, wives, daughters, and servants. It would seem as though the lesson after all is not to rebel or resist, or otherwise be punished.
But martyr or not, the effect has only been to inspire emulation all the more. That Joan of Arc died at the stake at age 19 makes us, in our senior years, ask if we have achieved something even barely comparable—to live, and live on after death, as a symbol of resistance to tyranny.
No comments:
Post a Comment